Auspiciousness of Food at Chinese New Year
In Chinese culture, food is given a lot of importance and plays a vital
role during the Chinese New Year (CNY) season.
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| Richard Poi, Oze Travel Representation |
From the food prepared on the CNY Reunion Dinner through to the
fifteenth day of the CNY celebrations (Chap Goh Meh), "lucky" foods are served throughout the two week celebration. Examples
are noodles representing a long life (never cut them for obvious
reason!); Spring Rolls symbolising wealth because of their shape being
similar to gold bars; Clams resembling the bullion.
Foods may have special significance because of the way the Chinese word for it sounds. For example, the Cantonese word for lettuce sounds like rising fortune; Tangerines and oranges sound like luck and wealth, respectively.
Foods may have special significance because of the way the Chinese word for it sounds. For example, the Cantonese word for lettuce sounds like rising fortune; Tangerines and oranges sound like luck and wealth, respectively.
There are other auspicious sounding ingredients that "add luck"
to the dish (and to the person who consumes it!), like shitake
mushrooms, abalone, roast pork with crackling intact, and black
hair-like moss (cyanobacterium, in dried form but expands when
wet) known as 'fatt choy' in Chinese which sounds like "expanding
wealth".
Fish also plays a large role in festive celebrations because the
word, fish, being "yu," sounds like the words both for wish and
abundance. This explains why the raw fish salad is a popular front
runner dish at some CNY banquets (especially in Malaysia and
Singapore) because it encourages diners to pick up their
chopsticks and mix all the ingredients of the dish together - the
significance of collaboration in the pursuit of wealth and
prosperity.
Isn't "Yu Sang" a relevant dish to have for networkers?
Richard Poi is also a Sydney-based Lecturer at Western Sydney
University.
Labels: Chinese New Year, Food, Malaysia Healthcare Travel Council, Medical Tourism, Oze Travel Representation, Richard Poi



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